<?xml version='1.0' encoding='UTF-8'?><?xml-stylesheet href="http://www.blogger.com/styles/atom.css" type="text/css"?><feed xmlns='http://www.w3.org/2005/Atom' xmlns:openSearch='http://a9.com/-/spec/opensearchrss/1.0/' xmlns:georss='http://www.georss.org/georss' xmlns:gd='http://schemas.google.com/g/2005' xmlns:thr='http://purl.org/syndication/thread/1.0'><id>tag:blogger.com,1999:blog-2041053400024463137</id><updated>2011-10-26T11:35:58.949-04:00</updated><category term='philadelphia'/><category term='choral music'/><category term='music'/><category term='singing'/><category term='opera'/><title type='text'>Apathetic Alto</title><subtitle type='html'></subtitle><link rel='http://schemas.google.com/g/2005#feed' type='application/atom+xml' href='http://apatheticalto.blogspot.com/feeds/posts/default'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2041053400024463137/posts/default?max-results=100'/><link rel='alternate' type='text/html' href='http://apatheticalto.blogspot.com/'/><link rel='hub' href='http://pubsubhubbub.appspot.com/'/><author><name>ApatheticAlto</name><uri>http://www.blogger.com/profile/15117771252451992436</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><generator version='7.00' uri='http://www.blogger.com'>Blogger</generator><openSearch:totalResults>3</openSearch:totalResults><openSearch:startIndex>1</openSearch:startIndex><openSearch:itemsPerPage>100</openSearch:itemsPerPage><entry><id>tag:blogger.com,1999:blog-2041053400024463137.post-4292313385431577538</id><published>2011-09-21T16:52:00.003-04:00</published><updated>2011-10-26T11:35:58.981-04:00</updated><title type='text'>2011-2012 Performances at which you can hear and/or see Ellen Peters</title><content type='html'>&lt;div&gt;Each performance is detailed below the list&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;09/30/11 Fri - &lt;b&gt;Carmen &lt;/b&gt;- Opera Co of Philly&lt;/div&gt;&lt;div&gt;10/2/11 Sun(m) - &lt;b&gt;Carmen &lt;/b&gt;- Opera Co of Philly&lt;/div&gt;&lt;div&gt;10/5/11 Wed - &lt;b&gt;Carmen &lt;/b&gt;- Opera Co of Philly&lt;/div&gt;&lt;div&gt;10/9/11 Sun(m) - &lt;b&gt;Carmen &lt;/b&gt;- Opera Co of Philly&lt;/div&gt;&lt;div&gt;10/14/11 Fri - &lt;b&gt;Carmen&lt;/b&gt; - Opera Co of Philly&lt;/div&gt;&lt;div&gt;10/29/11 Sat -&lt;b&gt; Bach and the Mendelssohns&lt;/b&gt; - Philly Singers&lt;/div&gt;&lt;div&gt;12/10/11 Sat(m) - &lt;b&gt;Xmas with the Philadelphia Singers&lt;/b&gt; - Philly Singers&lt;/div&gt;&lt;div&gt;12/11/11 Sun(m) - &lt;b&gt;Xmas &lt;/b&gt;&lt;b&gt; with the Philadelphia Singers&lt;/b&gt; - Philly Singers&lt;/div&gt;&lt;div&gt;12/17/11 Sat(m) -&lt;b&gt; &lt;/b&gt;&lt;b&gt;Xmas &lt;/b&gt;&lt;b&gt;with the Philadelphia Singers&lt;/b&gt; - Philly Singers&lt;/div&gt;&lt;div&gt;12/18/11 Sun - &lt;b&gt;Messiah &lt;/b&gt;- Philly Orchestra &amp;amp; Philly Singers Chorale&lt;/div&gt;&lt;div&gt;2/17/12 Fri - &lt;b&gt;Abduction from the Seraglio &lt;/b&gt;- Opera Co of Philly&lt;/div&gt;&lt;div&gt;2/19/12 Sun(m) - &lt;b&gt;Abduction from the Seraglio&lt;/b&gt; - Opera Co of Philly&lt;/div&gt;&lt;div&gt;2/22/12 Wed - &lt;b&gt;Abduction from the Seraglio&lt;/b&gt; - Opera Co of Philly&lt;/div&gt;&lt;div&gt;2/24/12 Fri - &lt;b&gt;Abduction from the Seraglio&lt;/b&gt; - Opera Co of Philly&lt;/div&gt;&lt;div&gt;2/26/12 Sun(m) - &lt;b&gt;Abduction from the Seraglio&lt;/b&gt; - Opera Co of Philly&lt;/div&gt;&lt;div&gt;3/3/12 Sat - &lt;b&gt;Randall Thompson's Requiem&lt;/b&gt; - Philly Singers&lt;/div&gt;&lt;div&gt;3/8/12 Thu - &lt;b&gt;Messiah&lt;/b&gt; - Pennsylvania Ballet&lt;/div&gt;&lt;div&gt;3/9/12 Fri - &lt;b&gt;Messiah&lt;/b&gt; - Pennsylvania Ballet&lt;/div&gt;&lt;div&gt;3/10/12 Sat(m) - &lt;b&gt;Messiah&lt;/b&gt; - Pennsylvania Ballet&lt;/div&gt;&lt;div&gt;3/11/12 Sun(m) - &lt;b&gt;Messiah&lt;/b&gt; - Pennsylvania Ballet&lt;/div&gt;&lt;div&gt;3/16/12 Fri - &lt;b&gt;Messiah&lt;/b&gt; - Pennsylvania Ballet&lt;/div&gt;&lt;div&gt;3/17/12 Sat(m) - &lt;b&gt;Messiah&lt;/b&gt; - Pennsylvania Ballet&lt;/div&gt;&lt;div&gt;4/20/12 Fri - &lt;b&gt;Manon Lescaut&lt;/b&gt; - Opera Co of Philly&lt;/div&gt;&lt;div&gt;4/22/12 Sun(m) - &lt;b&gt;Manon Lescaut&lt;/b&gt; - Opera Co of Philly&lt;/div&gt;&lt;div&gt;4/25/12 Wed - &lt;b&gt;Manon Lescaut &lt;/b&gt;- Opera Co of Philly&lt;/div&gt;&lt;div&gt;4/27/12 Fri - &lt;b&gt;Manon Lescaut &lt;/b&gt;- Opera Co of Philly&lt;/div&gt;&lt;div&gt;4/29/12 Sun(m) - &lt;b&gt;Manon Lescaut &lt;/b&gt;- Opera Co of Philly&lt;/div&gt;&lt;div&gt;5/17/11 Thu - &lt;b&gt;Ravel Daphnis &amp;amp; Chloé &lt;/b&gt;- Philly Orch &amp;amp; Philly Singers Chorale&lt;/div&gt;&lt;div&gt;5/18/11 Fri - &lt;b&gt;Ravel Daphnis &amp;amp; Chloé&lt;/b&gt; - Philly Orch &amp;amp; Philly Singers Chorale&lt;/div&gt;&lt;div&gt;5/19/11 Sat -&lt;b&gt; Ravel Daphnis &amp;amp; Chloé&lt;/b&gt; - Philly Orch &amp;amp; Philly Singers Chorale&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;b&gt;CARMEN&lt;/b&gt;&lt;/div&gt;&lt;div&gt;by Georges Bizet&lt;/div&gt;&lt;div&gt;Opera Company of Philadelphia&lt;/div&gt;&lt;div&gt;Academy of Music&lt;/div&gt;&lt;div&gt;Friday, September 30, 2011 at 8:00 p.m&lt;/div&gt;&lt;div&gt;Sunday, October 2, 2011 at 2:30 p.m&lt;/div&gt;&lt;div&gt;Wednesday, October 5, 2011 at 7:30 p.m.&lt;/div&gt;&lt;div&gt;Sunday, October 9, 2011 at 2:30 p.m.&lt;/div&gt;&lt;div&gt;Friday, October 14, 2011 at 8:00 p.m&lt;/div&gt;&lt;div&gt;Sung in French with English translations&lt;/div&gt;&lt;div&gt;Opera’s ultimate temptress opens the season with a sizzle in this classic production that transports you to sultry Seville. The story of a beguiling gypsy who sets her sights on a naïve but passionate young corporal, Carmen traces a tale of seduction, obsession, and deadly betrayal. Bizet’s masterpiece features many of opera’s most powerful melodies, from the bewitching “Habañera,” to the passionate “Seguidilla,” and the bravura of the “Toreador” song, capturing the imagination from the first notes of its renowned overture.&lt;/div&gt;&lt;div&gt;Starring in the title role is one of the signature Carmens of our time, Curtis Institute alumna mezzo-soprano Rinat Shaham. Her Glyndebourne Festival debut as Carmen led the Independent to praise her as “a sensation.” As Don José, Canadian tenor David Pomeroy makes his OCP debut on the heels of recent performances at the Metropolitan Opera in the title roles of Faust and The Tales of Hoffmann. Corrado Rovaris, the Jack Mulroney Music Director, leads this season opening production, featuring a classic setting and costumes that dial up the heat.&lt;/div&gt;&lt;div&gt;Estimated Running Time: Approximately 3 hours 25 minutes&lt;/div&gt;&lt;div&gt;Tickets: 215-893-1018&lt;/div&gt;&lt;div&gt;&lt;a href="http://www.operaphila.org/"&gt;www.operaphila.org&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;b&gt;BACH AND THE MENDELSSOHNS&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Philadelphia Singers Chamber Ensemble&lt;/div&gt;&lt;div&gt;Saturday, October 29 at 8 PM&lt;/div&gt;&lt;div&gt;Church of the Holy Trinity&lt;/div&gt;&lt;div&gt;19th &amp;amp; Rittenhouse Square&lt;/div&gt;&lt;div&gt;In this intriguing concert, go on a musical exploration to discover the influence of J.S. Bach on both Mendelssohns with both the Bach and the Mendelssohn Magnificat, many of Felix Mendelssohn's lesser-known choral works and Fanny Mendelssohn Hensel's Hiob - resurrected from the social constraints of the 19th century for a Philadelphia premiere.&lt;/div&gt;&lt;div&gt;Tickets: 215-751-9494&lt;/div&gt;&lt;div&gt;&lt;a href="http://www.philadelphiasingers.org/"&gt;www.philadelphiasingers.org&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;b&gt;CHRISTMAS WITH THE PHILADELPHIA SINGERS&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Philadelphia Singers Chamber Ensemble&lt;/div&gt;&lt;div&gt;Saturday, December 10 &amp;amp; 17 at 5 PM&lt;/div&gt;&lt;div&gt;St. Clement's Church&lt;/div&gt;&lt;div&gt;20th &amp;amp; Cherry Streets&lt;/div&gt;&lt;div&gt;Sunday, December 11 at 4 PM&lt;/div&gt;&lt;div&gt;Church of the Good Samaritan&lt;/div&gt;&lt;div&gt;212 W. Lancaster Avenue, Paoli&lt;/div&gt;&lt;div&gt;Philadelphia's beloved holiday tradition brings the spirit of the season to life. Hear Wanamaker organist Peter Conte in William Mathias' Ave Rex, framed by a stirring candlelight processional and a glorious audience carol-sing&lt;/div&gt;&lt;div&gt;Tickets: 215-751-9494&lt;/div&gt;&lt;div&gt;&lt;a href="http://www.philadelphiasingers.org/"&gt;www.philadelphiasingers.org&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;b&gt;HANDEL’S MESSIAH&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Sunday December 18, 2011, 7:30 PM&lt;/div&gt;&lt;div&gt;The Philadelphia Orchestra&lt;/div&gt;&lt;div&gt;Philadelphia Singers Chorale&lt;/div&gt;&lt;div&gt;Verizon Hall&lt;/div&gt;&lt;div&gt;This Baroque classic has become as integral to the American holiday season as Dickens's A Christmas Carol or the film It's a Wonderful Life. First performed by The Philadelphia Orchestra in 1958, Messiah has been an annual Orchestra tradition since 1961.&lt;/div&gt;&lt;div&gt;Tickets: 215.893.1999&lt;/div&gt;&lt;div&gt;&lt;a href="http://www.philorch.org/"&gt;www.philorch.org&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;b&gt;ABDUCTION FROM THE SERAGLIO&lt;/b&gt;&lt;/div&gt;&lt;div&gt;by W.A. Mozart&lt;/div&gt;&lt;div&gt;Opera Company of Philadelphia&lt;/div&gt;&lt;div&gt;Academy of Music&lt;/div&gt;&lt;div&gt;Friday, February 17, 2012 at 8:00 p.m.&lt;/div&gt;&lt;div&gt;Sunday, February 19, 2012 at 2:30 p.m.&lt;/div&gt;&lt;div&gt;Wednesday, February 22, 2012 at 7:30 p.m. &lt;/div&gt;&lt;div&gt;Friday, February 24, 2012 at 8:00 p.m. &lt;/div&gt;&lt;div&gt;Sunday, February 26, 2012 at 2:30 p.m.&lt;/div&gt;&lt;div&gt;Mozart’s musical genius returns in a fresh, highly theatrical coproduction between the Opera Company of Philadelphia and Teatro Comunale of Treviso. Director Robert B. Driver and Italian designer Guia Buzzi – the team who brought OCP audiences a delightful Gianni Schicchi – team up once again for this humorous tale of a Turkish ruler’s comically passionate pursuit of his beautiful young prisoner. This new production sets the story in the 1920s, painting the resourceful heroine Konstanze as a spy, and Belmonte, her would-be rescuer, as a handsome pilot, brilliantly playing on the timeless human foibles that still make Mozart’s work ring true.&lt;/div&gt;&lt;div&gt;Long recognized as an engine for rising talent, the Opera Company has cast an array of today’s most thrilling new voices to conquer Mozart’s daunting arias and stratospheric high notes. Starring as Konstanze is soprano Elizabeth Zharoff, whom Italy’s Revista magazine called, “a singer with beautiful presence, of unquestionable vocal interest” at the premiere of this production. Tenor Antonio Lozano was lauded for his “warm, vibrant voice which gave Belmonte great passion.” Maestro Rovaris leads the Opera Company Orchestra.&lt;/div&gt;&lt;div&gt;Estimated Running Time: Approximately 3 hours, 10 min&lt;/div&gt;&lt;div&gt;Tickets: 215-893-1018&lt;/div&gt;&lt;div&gt;&lt;a href="http://www.operaphila.org/"&gt;www.operaphila.org&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;b&gt;RANDALL THOMPSON'S REQUIEM&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Philadelphia Singers Chamber Ensemble&lt;/div&gt;&lt;div&gt;Saturday, March 3, 2012 at 8 PM&lt;/div&gt;&lt;div&gt;Church of the Holy Trinity&lt;/div&gt;&lt;div&gt;19th &amp;amp; Rittenhouse Square&lt;/div&gt;&lt;div&gt;It is the common thread of humanity which connects us all - grief, death and the circle of life - and this unexpected work by Thompson takes us on an uplifting and moving journey from the depths of sadness to the height of joy.&lt;/div&gt;&lt;div&gt;Randall Thompson's Requiem, an eighty-minute a cappella tour-de-force, closes the 2011/2012 season and prepares the way for The Singers' 40th anniversary!&lt;/div&gt;&lt;div&gt;Tickets: 215-751-9494&lt;/div&gt;&lt;div&gt;&lt;a href="http://www.philadelphiasingers.org/"&gt;www.philadelphiasingers.org&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="font-weight: normal; "&gt;&lt;div&gt;&lt;b&gt;MESSIAH&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Pennsylvania Ballet&lt;/div&gt;&lt;div&gt;&lt;div&gt;Thursday, March 8, 7:30pm&lt;/div&gt;&lt;div&gt;Friday, March 9, 7:30pm&lt;/div&gt;&lt;div&gt;Saturday, March 10, 2pm&lt;/div&gt;&lt;div&gt;Sunday, March 11, 2pm&lt;/div&gt;&lt;div&gt;Friday, March 16, 7:30pm&lt;/div&gt;&lt;div&gt;Saturday, March 17, 2pm, 8pm&lt;/div&gt;&lt;/div&gt;&lt;div&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="font-weight: normal; "&gt;&lt;div style="display: inline !important; "&gt;Academy of Music&lt;/div&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;div&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="font-weight: normal; "&gt;&lt;div style="display: inline !important; "&gt;&lt;div style="display: inline !important; "&gt;Inspirational. Moving. Pure. With Messiah, choreographer Robert Weiss creates an enthralling, epic ballet that translates Handel's world-famous libretto to the stage. The former Artistic Director of the Pennsylvania Ballet, Weiss employs more than 50 individual scenes to convey an emotional spectrum of joy, suffering, passion, and redemption.&lt;/div&gt;&lt;/div&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;div&gt;&lt;div&gt;Messiah opens with a full choir on stage in a skeletal abstraction of a church. With sun streaming through the bare windows, dancers take the stage in a vivid, dramatic interpretation of the life, death, and resurrection of Jesus.&lt;/div&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://www.paballet.org/"&gt;www.paballet.org&lt;/a&gt;&lt;/div&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;div&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/div&gt;&lt;div&gt;&lt;b&gt;MANON LESCAUT&lt;/b&gt;&lt;/div&gt;&lt;div&gt;by Giacomo Puccini&lt;/div&gt;&lt;div&gt;Opera Company of Philadelphia&lt;/div&gt;&lt;div&gt;Academy of Music&lt;/div&gt;&lt;div&gt;Friday, April 20, 2012 at 8:00 p.m.&lt;/div&gt;&lt;div&gt;Sunday, April 22, 2012 at 2:30 p.m.&lt;/div&gt;&lt;div&gt;Wednesday, April 25, 2012 at 7:30 p.m.&lt;/div&gt;&lt;div&gt;Friday, April 27, 2012 at 8:00 p.m.&lt;/div&gt;&lt;div&gt;Sunday, April 29, 2012 at 2:30 p.m.&lt;/div&gt;&lt;div&gt;Sung in Italian with English translations&lt;/div&gt;&lt;div&gt;The master composer who brought you La bohème, Turandot and Madama Butterfly crafts yet another soulful tale of boundless love. Manon Lescaut is a beautiful young girl about to be sent to a convent when Des Grieux first lays eyes on her. Though the flame of passion between them is ignited, Manon’s life follows a winding path, seduced by riches that ultimately trigger her downfall – but ultimately finding redemption in Des Grieux’s love for her. Puccini’s gorgeous, swelling melodies permeate the opera, from Manon’s poignant arias to the lush orchestral score.&lt;/div&gt;&lt;div&gt;Returning in the title role is soprano Ermonela Jaho, who captivated OCP audiences in Madama Butterfly and La bohème, and whose starring roles have recently taken her to Royal Opera Covent Garden and the Metropolitan Opera, among others. Tenor Thiago Arancam, who stars as Cavaradossi in the 2011 OCP production of Tosca, returns as Manon’s true love, Des Grieux, with OCP favorite baritone Troy Cook as Lescaut. Maestro Rovaris leads the Opera Company Orchestra in a stylized production directed by Michael Cavanagh and featuring lush, period costumes.&lt;/div&gt;&lt;div&gt;Estimated Running Time: Approximately 3 hours 5 minutes&lt;/div&gt;&lt;div&gt;Tickets: 215-893-1018&lt;/div&gt;&lt;div&gt;&lt;a href="http://www.operaphila.org/"&gt;www.operaphila.org&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;b&gt;RAVEL DAPHNIS AND CHLOÉ&lt;/b&gt;&lt;/div&gt;&lt;div&gt;The Philadelphia Orchestra&lt;/div&gt;&lt;div&gt;Thursday, May 17, 2012&lt;/div&gt;&lt;div&gt;Friday, May 18, 2012&lt;/div&gt;&lt;div&gt;Saturday May 19, 2012&lt;/div&gt;&lt;div&gt;Verizon Hall&lt;/div&gt;&lt;div&gt;Charles Dutoit, Conductor&lt;/div&gt;&lt;div&gt;Maurizio Pollini, Piano&lt;/div&gt;&lt;div&gt;The Philadelphia Singers Chorale, David Hayes, Music Director&lt;/div&gt;&lt;div&gt;Beethoven Overture to The Creatures of Prometheus&lt;/div&gt;&lt;div&gt;Chopin Piano Concerto No. 1&lt;/div&gt;&lt;div&gt;Ravel Daphnis and Chloé (complete)&lt;/div&gt;&lt;div&gt;In his only American orchestral appearance this season, legendary master Maurizio Pollini honors Maestro Dutoit in an epic season finale. The sensual music of Ravel's Daphnis and Chloé brings a crescendo to the celebration of our revered Maestro. Only in Philadelphia!&lt;/div&gt;&lt;div&gt;Tickets: 215-893-1999&lt;/div&gt;&lt;div&gt;&lt;a href="http://www.philorch.org/"&gt;www.philorch.org&lt;/a&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2041053400024463137-4292313385431577538?l=apatheticalto.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://apatheticalto.blogspot.com/feeds/4292313385431577538/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://apatheticalto.blogspot.com/2011/09/2011-2012-performances-at-which-you-can.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2041053400024463137/posts/default/4292313385431577538'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2041053400024463137/posts/default/4292313385431577538'/><link rel='alternate' type='text/html' href='http://apatheticalto.blogspot.com/2011/09/2011-2012-performances-at-which-you-can.html' title='2011-2012 Performances at which you can hear and/or see Ellen Peters'/><author><name>ApatheticAlto</name><uri>http://www.blogger.com/profile/15117771252451992436</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2041053400024463137.post-1282615322589690753</id><published>2010-08-11T11:59:00.016-04:00</published><updated>2011-04-25T14:45:39.112-04:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='philadelphia'/><category scheme='http://www.blogger.com/atom/ns#' term='choral music'/><category scheme='http://www.blogger.com/atom/ns#' term='singing'/><category scheme='http://www.blogger.com/atom/ns#' term='music'/><category scheme='http://www.blogger.com/atom/ns#' term='opera'/><title type='text'>Ellen Peters' Crazy 2010-2011 Gig List</title><content type='html'>&lt;div style="text-align: left;"&gt;For her next trick, Ellen will successfully navigate these performances, plus rehearsals, plus a full time job and a church gig, all without ending up in the ER.&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;&lt;span style="font-style: italic;"&gt;Each performance is detailed below the list&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;div&gt;10/1/10 Fri - &lt;span style="font-weight: bold;"&gt;Otello &lt;/span&gt;- Opera Co of Philly&lt;/div&gt;&lt;div&gt;10/3/10 Sun(m) - &lt;span style="font-weight: bold;"&gt;Otello &lt;/span&gt;- Opera Co of Philly&lt;/div&gt;&lt;div&gt;10/6/10 Wed - &lt;span style="font-weight: bold;"&gt;Otello &lt;/span&gt;- Opera Co of Philly&lt;/div&gt;&lt;div&gt;10/10/10 Sun(m) - &lt;span style="font-weight: bold;"&gt;Otello &lt;/span&gt;- Opera Co of Philly&lt;/div&gt;&lt;div&gt;10/15/10 Fri - &lt;span style="font-weight: bold;"&gt;Otello &lt;/span&gt;- Opera Co of Philly&lt;/div&gt;&lt;div&gt;10/17/10 Sun(m) - &lt;span style="font-weight: bold;"&gt;The Peaceable Kingdom&lt;/span&gt; - Philly Singers&lt;/div&gt;&lt;div&gt;12/11/10 Sat(m) - &lt;span style="font-weight: bold;"&gt;Xmas on Logan Square&lt;/span&gt; - Philly Singers&lt;/div&gt;&lt;div&gt;12/12/10 Sun(m) - &lt;span style="font-weight: bold;"&gt;Xmas on Logan Square&lt;/span&gt; - Philly Singers&lt;/div&gt;&lt;div&gt;12/18/10 Sat(m) - &lt;span style="font-weight: bold;"&gt;Xmas on Logan Square&lt;/span&gt; - Philly Singers&lt;/div&gt;&lt;div&gt;1/6/11 Thu - &lt;span style="font-weight: bold;"&gt;Mozart Requiem&lt;/span&gt; - Philly Orchestra &amp;amp; Philly Singers Chorale&lt;/div&gt;&lt;div&gt;1/7/11 Fri(m) - &lt;span style="font-weight: bold;"&gt;Mozart Requiem&lt;/span&gt; - Philly Orchestra &amp;amp; Philly Singers Chorale&lt;/div&gt;&lt;div&gt;1/8/11 Sat - &lt;span style="font-weight: bold;"&gt;Mozart Requiem&lt;/span&gt; - Philly Orchestra &amp;amp; Philly Singers Chorale&lt;/div&gt;&lt;div&gt;2/11/11 Fri - &lt;span style="font-weight: bold;"&gt;Romeo &amp;amp; Juliet&lt;/span&gt; - Opera Co of Philly&lt;/div&gt;&lt;div&gt;2/13/11 Sun(m) - &lt;span style="font-weight: bold;"&gt;Romeo &amp;amp; Juliet&lt;/span&gt; - Opera Co of Philly&lt;/div&gt;&lt;div&gt;2/16/11 Wed - &lt;span style="font-weight: bold;"&gt;Romeo &amp;amp; Juliet&lt;/span&gt; - Opera Co of Philly&lt;/div&gt;&lt;div&gt;2/18/11 Fri - &lt;span style="font-weight: bold;"&gt;Romeo &amp;amp; Juliet&lt;/span&gt; - Opera Co of Philly&lt;/div&gt;&lt;div&gt;2/20/11 Sun(m) - &lt;span style="font-weight: bold;"&gt;Romeo &amp;amp; Juliet&lt;/span&gt; - Opera Co of Philly&lt;/div&gt;&lt;div&gt;4/3/11 Sun(m) - &lt;span style="font-weight: bold; "&gt;And You Shall Tell Your Children&lt;/span&gt; - Nashira&lt;/div&gt;&lt;div&gt;4/16/11 Sat - &lt;span style="font-weight: bold;"&gt;Seven Last Words&lt;/span&gt; - Philly Singers&lt;/div&gt;&lt;div&gt;4/29/11 Fri - &lt;span style="font-weight: bold;"&gt;Tosca &lt;/span&gt;- Opera Co of Philly&lt;/div&gt;&lt;div&gt;5/1/11 Sun(m) - &lt;span style="font-weight: bold;"&gt;Tosca &lt;/span&gt;- Opera Co of Philly&lt;/div&gt;&lt;div&gt;5/1/11 Sun - &lt;span style="font-weight: bold; "&gt;Farlorn Alemen &lt;/span&gt;- Nashira&lt;/div&gt;&lt;div&gt;5/4/11 Wed - &lt;span style="font-weight: bold;"&gt;Tosca &lt;/span&gt;- Opera Co of Philly&lt;/div&gt;&lt;div&gt;5/6/11 Fri - &lt;span style="font-weight: bold;"&gt;Tosca &lt;/span&gt;- Opera Co of Philly&lt;/div&gt;&lt;div&gt;5/8/11 Sun(m) - &lt;span style="font-weight: bold;"&gt;Tosca &lt;/span&gt;- Opera Co of Philly&lt;/div&gt;&lt;div&gt;5/12/11 Thu - &lt;span style="font-weight: bold; "&gt;Holst The Planets &lt;/span&gt;- Philly Orchestra &amp;amp; Philly Singers Chorale&lt;/div&gt;&lt;div&gt;5/13/11 Fri - &lt;span style="font-weight: bold; "&gt;Holst The Planets &lt;/span&gt;- Philly Orchestra &amp;amp; Philly Singers Chorale&lt;/div&gt;&lt;div&gt;5/14/11 Sat - &lt;span style="font-weight: bold; "&gt;Holst The Planets &lt;/span&gt;- Philly Orchestra &amp;amp; Philly Singers Chorale&lt;/div&gt;&lt;div&gt;5/17/11 Tue - &lt;span style="font-weight: bold; "&gt;Holst The Planets &lt;/span&gt;- Philly Orchestra &amp;amp; Philly Singers Chorale&lt;/div&gt;&lt;div&gt;5/19/11 Thu - &lt;span style="font-weight: bold;"&gt;Beethoven 9th &lt;/span&gt;- Philly Orchestra &amp;amp; Philly Singers Chorale&lt;/div&gt;&lt;div&gt;5/21/11 Sat - &lt;span style="font-weight: bold;"&gt;Beethoven 9th &lt;/span&gt;- Philly Orchestra &amp;amp; Philly Singers Chorale&lt;/div&gt;&lt;div&gt;5/22/11 Sun(m) - &lt;span style="font-weight: bold;"&gt;Beethoven 9th &lt;/span&gt;- Philly Orchestra &amp;amp; Philly Singers Chorale&lt;/div&gt;&lt;div&gt;5/27/11 Fri - &lt;span style="font-weight: bold;"&gt;Berlioz Faust &lt;/span&gt;- Philly Orchestra &amp;amp; Philly Singers Chorale&lt;/div&gt;&lt;div&gt;5/28/11 Sat - &lt;span style="font-weight: bold;"&gt;Berlioz Faust &lt;/span&gt;- Philly Orchestra &amp;amp; Philly Singers Chorale&lt;/div&gt;&lt;div&gt;6/25/11 Sat - &lt;span style="font-weight: bold; "&gt;Wanamaker Organ Day &lt;/span&gt;- Friends of the Wanamaker Organ Festival Chorus&lt;/div&gt;&lt;div&gt;&lt;div&gt;&lt;div&gt;&lt;div&gt;&lt;span style="font-weight: bold;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span style="font-weight: bold;"&gt;OTELLO&lt;/span&gt;&lt;br /&gt;by Giuseppe Verdi&lt;br /&gt;Opera Company of Philadelphia&lt;br /&gt;Academy of Music&lt;br /&gt;Friday, October 1, 2010 at 8:00 p.m&lt;br /&gt;Sunday, October 3, 2010 at 2:30 p.m&lt;br /&gt;Wednesday, October 6, 2010 at 7:30 p.m.&lt;br /&gt;Sunday, October 10, 2010 at 2:30 p.m.&lt;br /&gt;Friday, October 15, 2010 at 8:00 p.m&lt;br /&gt;Sung in Italian with English translations&lt;br /&gt;Opera Company of Philadelphia opens a rich and varied season with the Company Premiere of Verdi’s tour-de-force Otello. Based on Shakespeare’s famed work and widely considered to be Verdi’s greatest opera, Otello  tells the story of a slave who overcomes great obstacles to become a noble general, but is then driven to unspeakable jealousy by a scheming, envious officer in his army. Passion, political intrigue and a fatal flaw are at the center of this intense musical drama that stands at the pinnacle of grand opera experiences.&lt;br /&gt;Several powerhouse company debuts are in store. Tenor Clifton Forbis, one of today’s foremost dramatic tenors, in demand from La Scala to the Metropolitan Opera, shares the title role with tenor Arnold Rawls, a frequent guest artist at Lyric Opera of Chicago. Star baritone Mark Delavan, known internationally for his command of Wagner and Verdi, is Otello’s foil, Iago. French soprano Norah Amsellem, with recent leading diva credits at Royal Opera Covent Garden and the Met, makes her role debut as Desdemona in this stunning, classic production.&lt;br /&gt;Estimated Running Time: Approximately 3 hours&lt;br /&gt;Tickets: 215-732-8400&lt;div&gt;&lt;a href="http://www.operaphila.org/"&gt;www.operaphila.org&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://www.operaphila.org/"&gt;&lt;/a&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;THE PEACEABLE KINGDOM&lt;/span&gt;&lt;br /&gt;Philadelphia Singers Chamber Ensemble&lt;br /&gt;Sunday, October 17, 2010 at 4:00pm&lt;br /&gt;Church of the Holy Trinity, 19th &amp;amp; Rittenhouse Square, Philadelphia&lt;br /&gt;How are you inspired by art and literature? On our opening concert, Randall Thompson draws from Edward Hicks’ painting of the same name in The Peaceable Kingdom, an a cappella American classic; texts by the ancient Roman poet Ovid inspire Philadelphia composer David Shapiro’s Metamorphoses; Abbie Betinis sets her Bar xizam (Upward I Rise) to medieval Persian poetry; and Gavin Bryars, whose work received audience acclaim last season, chooses Pope Leo XIII’s words praising photography for On Photography, scored for chorus, harmonium and piano.&lt;br /&gt;Tickets: (215) 751-9494&lt;/div&gt;&lt;div&gt;&lt;a href="http://www.philadelphiasingers.org/"&gt;www.philadelphiasingers.org&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;CHRISTMAS ON LOGAN SQUARE&lt;/span&gt;&lt;br /&gt;Philadelphia Singers Chamber Ensemble&lt;br /&gt;Saturday, December 11, 2010 at 5:00pm St. Clement’s Church, 20th and Cherry Streets Philadelphia&lt;br /&gt;Sunday, December 12, 2010 at 4:00pm Church of the Good Samaritan, 212 West Lancaster Avenue, Paoli&lt;br /&gt;Saturday, December 18, 2010 at 5:00pm St. Clement’s Church, 20th and Cherry Streets Philadelphia&lt;br /&gt;Join The Singers for “Christmas on Logan Square”. This annual concert features traditional works and new favorites including Benjamin Britten’s much loved Ceremony of Carols for women’s chorus and harp. You’ll also hear a set of motets by San Francisco composer Ingram Marshall and David Shapiro’s Et Incarnatus Est along with other holiday gems and a glorious audience carol sing-along.&lt;br /&gt;Tickets: (215) 751-9494&lt;/div&gt;&lt;div&gt;&lt;a href="http://www.philadelphiasingers.org/"&gt;www.philadelphiasingers.org&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;MOZART'S REQUIEM&lt;/span&gt;&lt;br /&gt;The Philadelphia Orchestra&lt;br /&gt;Thursday, January 6, 2011 8:00 PM&lt;br /&gt;Friday, January 7, 2011 2:00 PM&lt;br /&gt;Saturday, January 8, 2011 8:00 PM&lt;br /&gt;Verizon Hall&lt;br /&gt;Yannick Nézet-Séguin – Conductor&lt;br /&gt;The Philadelphia Singers Chorale&lt;br /&gt;Yannick Nézet-Séguin, the Orchestra’s Music Director Designate, returns to conduct Mozart’s Requiem for chorus, soloist, and orchestra. A piece not heard by Philadelphia Orchestra audiences in 20 years, the Requiem remains a magnificent torso and the numerous attempts to complete it have only enhanced its mystique. Hear the final, poignant utterances of one of the greatest musical geniuses ever known.&lt;br /&gt;Tickets: 215-893-1999&lt;/div&gt;&lt;div&gt;&lt;a href="http://www.philorch.org/"&gt;www.philorch.org&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;ROMEO &amp;amp; JULIET&lt;/span&gt;&lt;br /&gt;by Charles Gounod&lt;br /&gt;Opera Company of Philadelphia&lt;br /&gt;Academy of Music&lt;br /&gt;Friday, February 11, 2011 at 8:00 p.m.&lt;br /&gt;Sunday, February 13, 2011 at 2:30 p.m.&lt;br /&gt;Wednesday, February 16, 2011 at 7:30 p.m.&lt;br /&gt;Friday, February 18, 2011 at 8:00 p.m.&lt;br /&gt;Sunday, February 20, 2011 at 2:30 p.m.&lt;br /&gt;Sung in French with English translations&lt;br /&gt;Never in the history of romance were two lovers more star-crossed than Shakespeare’s passionate Romeo and Juliet. This universal story has been adapted in countless plays and films, in popular culture and in dance, but perhaps no medium better expresses the love, longing and ultimate tragedy of this fated pair than Gounod’s sweeping and supreme opera. Replete with ecstatic French melodies, this heartbreakingly beautiful production arrives just in time for Valentine’s Day.&lt;br /&gt;Rising international stars Stephen Costello and Ailyn Perez - real life spouses and Academy of Vocal Arts alumni - return home to Philadelphia in the title roles.  Director Manfred Schweigkofler conceives this new production that paints the Capulets and Montagues as dueling fashion houses. Against a backdrop of models, paparazzi and high style, Romeo and Juliet’s love for each other unfolds to its deadly conclusion.&lt;br /&gt;Estimated Running Time: Approximately 3 hours, 30 min&lt;br /&gt;Tickets: 215-732-8400&lt;/div&gt;&lt;div&gt;&lt;a href="http://www.operaphila.org/"&gt;www.operaphila.org&lt;/a&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: bold; "&gt;AND YOU SHALL TELL YOUR CHILDREN&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: bold; "&gt;&lt;/span&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="font-weight: normal; "&gt;Nashirah, the Jewish Chorale of Greater Philadelphia&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;div&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="font-weight: normal; "&gt;&lt;/span&gt;&lt;/b&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="font-weight: normal; "&gt;Sunday, April 3, 2011 at 3:00pm&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;div&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="font-weight: normal; "&gt;&lt;/span&gt;&lt;/b&gt;Prince Music Theater, 1412 Chestnut Street, Philadelphia&lt;/div&gt;&lt;div&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="font-weight: normal; "&gt;&lt;div style="display: inline !important; "&gt;Nashirah presents &lt;b&gt;&lt;span class="Apple-style-span" style="font-weight: normal; "&gt;&lt;div style="display: inline !important; "&gt;a special concert event &lt;/div&gt;&lt;/span&gt;&lt;/b&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="font-weight: normal; "&gt;&lt;div style="display: inline !important; "&gt;featuring the music and melodies of Pesach (Passover)&lt;/div&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;div&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="font-weight: normal; "&gt;&lt;div style="display: inline !important; "&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="font-weight: normal; "&gt;&lt;div style="display: inline !important; "&gt;and premiering the instrumental and choral works of &lt;b&gt;&lt;span class="Apple-style-span" style="font-weight: normal; "&gt;&lt;div style="display: inline !important; "&gt;GERALD COHEN &lt;/div&gt;&lt;/span&gt;&lt;/b&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="font-weight: normal; "&gt;&lt;div style="display: inline !important; "&gt;&amp;amp; &lt;/div&gt;&lt;/span&gt;&lt;/b&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="font-weight: normal; "&gt;&lt;div style="display: inline !important; "&gt;ANDREA&lt;/div&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;div&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="font-weight: normal; "&gt;&lt;div style="display: inline !important; "&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="font-weight: normal; "&gt;&lt;div style="display: inline !important; "&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="font-weight: normal; "&gt;&lt;div style="display: inline !important; "&gt;CLEARFIELD.&lt;/div&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;div&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="font-weight: normal; "&gt;&lt;div style="display: inline !important; "&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="font-weight: normal; "&gt;&lt;div style="display: inline !important; "&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="font-weight: normal; "&gt;&lt;div style="display: inline !important; "&gt;&lt;/div&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;/span&gt;&lt;/b&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="font-weight: normal; "&gt;&lt;div style="display: inline !important; "&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="font-weight: normal; "&gt;&lt;div style="display: inline !important; "&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="font-weight: normal; "&gt;&lt;div style="display: inline !important; "&gt;&lt;a href="http://www.nashirah.org/"&gt;http://www.nashirah.org/&lt;/a&gt;&lt;/div&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: bold; "&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: bold; "&gt;SEVEN LAST WORDS&lt;/span&gt;&lt;/div&gt;&lt;div&gt;Philadelphia Singers Chamber Ensemble&lt;br /&gt;Saturday, April 16, 2011 at 8:00pm&lt;br /&gt;Church of the Holy Trinity, 19th &amp;amp; Rittenhouse Square, Philadelphia&lt;br /&gt;This concert at the start of Holy Week opens with J.S. Bach’s Cantata No.182 “King of Heaven, Welcome”. It is the only extant cantata that Bach wrote for Palm Sunday. The program concludes with Sir James MacMillan’s powerful and moving Seven Last Words of Christ on the Cross.&lt;br /&gt;Tickets: (215) 751-9494&lt;/div&gt;&lt;div&gt;&lt;a href="http://www.philadelphiasingers.org/"&gt;www.philadelphiasingers.org&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;TOSCA&lt;/span&gt;&lt;br /&gt;by Giacomo Puccini&lt;br /&gt;Opera Company of Philadelphia&lt;br /&gt;Academy of Music&lt;br /&gt;Friday, April 29, 2011 at 8:00 p.m.&lt;br /&gt;Sunday, May 1, 2011 at 2:30 p.m.&lt;br /&gt;Wednesday, May 4, 2011 at 7:30 p.m.&lt;br /&gt;Friday, May 6, 2011 at 8:00 p.m.&lt;br /&gt;Sunday, May 8, 2011 at 2:30 p.m.&lt;br /&gt;Sung in Italian with English translations&lt;br /&gt;From Madama Butterfly and Turandot to La Bohème’s Mimi, composer giant Giacomo Puccini is famous for the grace and strength of his glorious heroines. Enter Floria Tosca, a diva with flashing eyes and a jealous heart who loves only one man – Mario Cavaradossi. When he is taken as a political prisoner, his captor, Baron Scarpia, has met his match in Cavaradossi’s faithful Tosca. Featuring the breathtaking Te Deum chorus and the renowned tenor anthem E lucevan le stelle, plus one of the most famed soprano arias in all of operatic repertoire, Vissi d’arte, Puccini’s beloved work has not been seen at the Opera Company of Philadelphia for over ten years.&lt;br /&gt;Three dazzling stars make their OCP debuts in this production. Beautiful Romanian soprano Adina Nitescu sings the title role after making a name as a Puccini leading lady at Paris National Opera, and sizzling Brazilian-Italian tenor Thiago Arancam is her Cavaradossi. As Scarpia, formidable Russian baritone Boris Statsenko promises a villainous star turn in the acclaimed, grand and classic Opera Company of Philadelphia production.&lt;br /&gt;Estimated Running Time: approximately 2 hours, 45 min&lt;br /&gt;Tickets: 215-732-8400&lt;/div&gt;&lt;div&gt;&lt;a href="http://www.operaphila.org/"&gt;www.operaphila.org&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;div&gt;&lt;b&gt;FARLORN ALEMEN&lt;/b&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: bold; "&gt;&lt;/span&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="font-weight: normal; "&gt;Nashirah, the Jewish Chorale of Greater Philadelphia&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;div&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="font-weight: normal; "&gt;&lt;/span&gt;&lt;/b&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="font-weight: normal; "&gt;Sunday, May 1, 2011 at 8:00pm&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;div&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="font-weight: normal; "&gt;&lt;/span&gt;&lt;/b&gt;Andrea Clearfield Salon&lt;/div&gt;&lt;div&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="font-weight: normal; "&gt;&lt;div style="display: inline !important; "&gt;Nashirah presents &lt;b&gt;&lt;span class="Apple-style-span" style="font-weight: normal; "&gt;&lt;div style="display: inline !important; "&gt;an encore performance of their commissioned piece Farlorn Alemen by the Philadelphia composer &lt;/div&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;/span&gt;&lt;/b&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="font-weight: normal; "&gt;&lt;div style="display: inline !important; "&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="font-weight: normal; "&gt;&lt;div style="display: inline !important; "&gt;Andrea Clearfield at her famed salon.&lt;/div&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;div&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="font-weight: normal; "&gt;&lt;div style="display: inline !important; "&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="font-weight: normal; "&gt;&lt;div style="display: inline !important; "&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="font-weight: normal; "&gt;&lt;div style="display: inline !important; "&gt;&lt;/div&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;/span&gt;&lt;/b&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="font-weight: normal; "&gt;&lt;div style="display: inline !important; "&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="font-weight: normal; "&gt;&lt;div style="display: inline !important; "&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="font-weight: normal; "&gt;&lt;div style="display: inline !important; "&gt;&lt;a href="http://www.nashirah.org/"&gt;http://www.nashirah.org/&lt;/a&gt;&lt;/div&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;/div&gt;&lt;div&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="font-weight: normal; "&gt;&lt;div style="display: inline !important; "&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="font-weight: normal; "&gt;&lt;div style="display: inline !important; "&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="font-weight: normal; "&gt;&lt;a href="http://www.andreaclearfield.com/music-salon/"&gt;http://www.andreaclearfield.com/music-salon/&lt;/a&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: bold; "&gt;HOLST THE PLANETS&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;div&gt;&lt;span class="Apple-style-span"&gt;The Philadelphia Orchestra&lt;br /&gt;Thursday, May 12, 2011 8:00 PM&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"&gt;Friday, May 13, 2011 7:00 PM&lt;br /&gt;Saturday, May 14, 2011 8:00 PM&lt;br /&gt;Tuesday, May 17, 2011 2:00 PM&lt;br /&gt;Verizon Hall&lt;br /&gt;Charles Dutoit - Conductor&lt;br /&gt;&lt;/span&gt;&lt;div&gt;&lt;span class="Apple-style-span"&gt;Gil Shaham - Violin &lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"&gt;Women of the Philadelphia Singers Chorale -&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"&gt;Program:&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"&gt;Walton - Violin Concerto&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"&gt;Holst - The Planets&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"&gt;One of the most significant violin talents of our time, American-born Gil Shaham has been praised by &lt;i style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; "&gt;Strings&lt;/i&gt; magazine for his virtuosity and his "innate musicality and beautiful, expressive tone, which can glow like bronze and shimmer like gold." Winner of an Avery Fisher Career Grant, multiple Grammy awards, and the 2008 Avery Fisher Prize, Shaham presents Walton's Violin Concerto, commissioned by Jascha Heifetz and structured similarly to the composer's better-known Viola Concerto. The piece was part of an outpouring of great violin concertos during the 1930s--a repertoire that Shaham has highlighted recently through performances of works by Barber, Berg, Stravinsky, Bartók, and Prokofiev. Maestro Dutoit casts the Walton against Holst's beloved &lt;i style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; "&gt;The Planets,&lt;/i&gt; composed a generation before and inspired by the characteristics of the Roman gods for whom each planet is named.&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"&gt;Tickets: 215-893-1999&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"&gt;&lt;a href="http://www.philorch.org/"&gt;www.philorch.org&lt;/a&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: bold; "&gt;BEETHOVEN SYMPHONY NO. 9&lt;/span&gt;&lt;/div&gt;&lt;div&gt;The Philadelphia Orchestra&lt;br /&gt;Thursday, May 19, 2011 8:00 PM&lt;br /&gt;Saturday, May 21, 2011 8:00 PM&lt;br /&gt;Sunday May 22, 2011 2:00 PM&lt;br /&gt;Verizon Hall&lt;br /&gt;Program:&lt;br /&gt;Stravinsky - Symphony of Psalms&lt;br /&gt;Beethoven - Symphony No. 9 ("Choral")&lt;br /&gt;Charles Dutoit – Conductor&lt;br /&gt;Melanie Diener  - Soprano&lt;br /&gt;Mary Phillips - Mezzo-soprano&lt;br /&gt;Philippe Castagner - Tenor&lt;br /&gt;Nathan Berg - Bass-baritone&lt;br /&gt;The Philadelphia Singers Chorale&lt;br /&gt;Composed a century apart, Stravinsky's Symphony of Psalms and Beethoven's Ninth Symphony both share a sense of pushing the symphonic genre into new areas, in both cases partly through the inclusion of chorus. But while Beethoven's final work in the genre bears an outwardly "symphonic" structure--four movements and a big finale--Stravinsky's from 1930 feels more oratorio-like. "It is not a symphony in which I have included Psalms to be sung," Stravinsky said. "On the contrary, it is the singing of the Psalms that I am symphonizing." In any event Stravinsky's finale, "Alleluia-Laudate Dominum" delves the same celebratory spirit that made Beethoven's "Ode to Joy" an unprecedented expression of ecstasy in 1824. Maestro Dutoit is joined in this ingenious pairing by renowned soloists and the Philadelphia Singers Chorale.&lt;br /&gt;Tickets: 215-893-1999&lt;/div&gt;&lt;div&gt;&lt;a href="http://www.philorch.org/"&gt;www.philorch.org&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;BERLIOZ DAMNATION OF FAUST&lt;/span&gt;&lt;br /&gt;The Philadelphia Orchestra&lt;br /&gt;Friday, May 27, 2011 8:00 PM&lt;br /&gt;Saturday, May 28, 2011 8:00 PM&lt;br /&gt;Verizon Hall&lt;br /&gt;Charles Dutoit  - Conductor&lt;br /&gt;Paul Groves - Tenor&lt;br /&gt;Susan Graham - Mezzo-soprano&lt;br /&gt;David Wilson-Johnson - Baritone&lt;br /&gt;The Philadelphia Singers Chorale&lt;br /&gt;At once operatic, oratorio-like, even cinematic, The Damnation of Faust is perhaps Berlioz's masterpiece, a légende dramatique  (in his words) that he spent the better part of his life creating. Maestro Charles Dutoit, a peerless exponent of the works of Berlioz, has led performances of the composer's Goethe-inspired Faust worldwide that are the stuff of legend. He concludes his third season as chief conductor of The Philadelphia Orchestra with concert performances of the piece, part of his continuing cycle of Berlioz's major work with the ensemble. He is joined by a star cast, including Susan Graham as Marguerite--whose mezzo the New Yorker described as "a voice without regrets, healthy, rounded, ineffably musical." Versatile American tenor and Richard Tucker Award-winner Paul Groves sings the title role of the aging scholar on a quest for meaning. David Wilson-Johnson is Mephistopheles, the dark, devilish figure who is more than happy to guide the hapless hero into the fires of hell.&lt;br /&gt;Tickets: 215-893-1999&lt;/div&gt;&lt;div&gt;&lt;a href="http://www.philorch.org/"&gt;www.philorch.org&lt;/a&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;span style="font-weight: bold; "&gt;WANAMAKER ORGAN DAY&lt;/span&gt;&lt;br /&gt;Friends of the Wanamaker Organ Festival Chorus&lt;/div&gt;&lt;div&gt;Saturday, June 25, 2011 5:00 PM&lt;br /&gt;The Friends are planning their usual, major, day long and mainly free celebration spotlighting assistants to Peter Richard Conte at 10am, live broadcast/performance at 11:30am on an expanded WRTI Jill Pasternak "Crossover" broadcast featuring Peter Richard Conte and Peter Krasinski , a $10 admission silent movie at 2pm in Greek Hall with Peter Krasinski at our Mighty Wurlitzer, and the Grand Concert at 5, featuring Peter Richard Conte, Rudy Lucente, Philadelphia Brass and the Friends of the Wanamaker Organ Festival Chorus.&lt;/div&gt;&lt;div&gt;&lt;a href="http://www.wanamakerorgan.com/events.php#special"&gt;http://www.wanamakerorgan.com/events.php#special&lt;/a&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2041053400024463137-1282615322589690753?l=apatheticalto.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://apatheticalto.blogspot.com/feeds/1282615322589690753/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://apatheticalto.blogspot.com/2010/08/ellen-peters-crazy-2010-2011-gig-list.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2041053400024463137/posts/default/1282615322589690753'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2041053400024463137/posts/default/1282615322589690753'/><link rel='alternate' type='text/html' href='http://apatheticalto.blogspot.com/2010/08/ellen-peters-crazy-2010-2011-gig-list.html' title='Ellen Peters&apos; Crazy 2010-2011 Gig List'/><author><name>ApatheticAlto</name><uri>http://www.blogger.com/profile/15117771252451992436</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2041053400024463137.post-5742811740682198340</id><published>2009-09-21T13:38:00.002-04:00</published><updated>2010-04-14T14:32:11.206-04:00</updated><title type='text'></title><content type='html'>&lt;span style="font-weight: bold;"&gt;Schedule of Performances featuring Ellen Peters (well, not exactly featuring)&lt;/span&gt;&lt;br /&gt;Details below list&lt;br /&gt;&lt;br /&gt;10/9/09 Fri - &lt;span style="font-weight: bold;"&gt;Madama Butterfly&lt;/span&gt; - Opera Co of Philly&lt;br /&gt;10/11/09 Sun - &lt;span style="font-weight: bold;"&gt;Madama Butterfly&lt;/span&gt; - Opera Co of Philly&lt;br /&gt;10/14/09 Wed - &lt;span style="font-weight: bold;"&gt;Madama Butterfly&lt;/span&gt; - Opera Co of Philly&lt;br /&gt;10/16/09 Fri - &lt;span style="font-weight: bold;"&gt;Madama Butterfly&lt;/span&gt; - Opera Co of Philly&lt;br /&gt;10/18/09 Sun - &lt;span style="font-weight: bold;"&gt;Madama Butterfly&lt;/span&gt; - Opera Co of Philly&lt;br /&gt;11/8/09 Sun - &lt;span style="font-weight: bold;"&gt;Bach &amp;amp; Beyond&lt;/span&gt; - Philly Singers&lt;br /&gt;12/13/09 Sun - &lt;span style="font-weight: bold;"&gt;Messiah &lt;/span&gt;- Philly Orchestra &amp;amp; Philly Singers Chorale&lt;br /&gt;12/12/09 Sat - &lt;span style="font-weight: bold;"&gt;Xmas on Logan Square&lt;/span&gt; - Philly Singers&lt;br /&gt;12/19/09 Sat - &lt;span style="font-weight: bold;"&gt;Xmas on Logan Square&lt;/span&gt; - Philly Singers&lt;br /&gt;2/4/10 Thu - &lt;span style="font-weight: bold;"&gt;Midsummer Night's Dream&lt;/span&gt; - Philly Orch &amp;amp; Philly Singers Chorale&lt;br /&gt;2/5/10 Fri - &lt;span style="font-weight: bold;"&gt;Midsummer Night's Dream&lt;/span&gt; - Philly Orch &amp;amp; Philly Singers Chorale&lt;br /&gt;2/6/10 Sat - &lt;span style="font-weight: bold;"&gt;Midsummer Night's Dream&lt;/span&gt; - Philly Orch &amp;amp; Philly Singers Chorale&lt;br /&gt;3/6/10 Sat - &lt;span style="font-weight: bold;"&gt;Glass, Reich, Bryars&lt;/span&gt; - Relâche, Orch 2001 &amp;amp; Philly Singers&lt;br /&gt;5/7/10 Fri - &lt;span style="font-weight: bold;"&gt;La Traviata&lt;/span&gt; - Opera Co of Philly&lt;br /&gt;5/9/10 Sun - &lt;span style="font-weight: bold;"&gt;La Traviata&lt;/span&gt; - Opera Co of Philly&lt;br /&gt;5/12/10 Wed - &lt;span style="font-weight: bold;"&gt;La Traviata&lt;/span&gt; - Opera Co of Philly&lt;br /&gt;5/14/10 Fri - &lt;span style="font-weight: bold;"&gt;La Traviata&lt;/span&gt; - Opera Co of Philly&lt;br /&gt;5/16/10 Sun - &lt;span style="font-weight: bold;"&gt;La Traviata&lt;/span&gt; - Opera Co of Philly&lt;br /&gt;6/17/10 Thu - &lt;span style="font-weight: bold;"&gt;Orphée &amp;amp; Eurydice&lt;/span&gt; -  Opera Co of Philly&lt;br /&gt;6/19/10 Sat - &lt;span style="font-weight: bold;"&gt;Orphée &amp;amp; Eurydice&lt;/span&gt;  -  Opera Co of Philly&lt;br /&gt;6/22/10 Tue - &lt;span style="font-weight: bold;"&gt;Orphée &amp;amp; Eurydice&lt;/span&gt;  -  Opera Co of Philly&lt;br /&gt;6/23/10 Wed - &lt;span style="font-weight: bold;"&gt;Orphée &amp;amp; Eurydice&lt;/span&gt;  -  Opera Co of Philly&lt;br /&gt;6/25/10 Fri - &lt;span style="font-weight: bold;"&gt;Orphée &amp;amp; Eurydice&lt;/span&gt;  -  Opera Co of Philly&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;&lt;span style="font-weight: bold;"&gt;Madama Butterfly by Giacomo Puccini&lt;br /&gt;Opera Company of Philadelphia&lt;br /&gt;Academy of Music&lt;/span&gt;&lt;br /&gt;Friday, October 9, 2009 at 8:00 p.m&lt;br /&gt;Sunday, October 11, 2009 at 2:30 p.m&lt;br /&gt;Wednesday, October 14, 2009 at 7:30 p.m.&lt;br /&gt;Friday, October 16, 2009 at 8:00 p.m&lt;br /&gt;Sunday, October 18, 2009 at 2:30 p.m.&lt;br /&gt;Sung in Italian with English translations&lt;/span&gt;&lt;br /&gt;The beautiful, young geisha Cio-Cio San has renounced her family and surrendered all of her love and faith to her new American husband, Lieutenant Pinkerton. Intoxicated by her innocence, he pledges his love for her ecstatically, only to leave her behind when he returns to America. After waiting patiently for his return, she is met with unbearable heartbreak and, ultimately, the choice between life and honor.&lt;br /&gt;Perhaps the most popular work in all of the operatic canon thanks to its swelling, unabashed melodies and a story that touches the depths of the human soul, Madama Butterfly comes to life on the Academy stage in a stunning and acclaimed production by designer Jun Kaneko that marries the classic with the contemporary.&lt;br /&gt;Tickets: 215-732-8400&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;BACH AND BEYOND&lt;br /&gt;Sunday, November 8, 2009 at 4:00pm&lt;br /&gt;Philadelphia Singers Chamber Ensemble&lt;br /&gt;&lt;/span&gt;Church of the Holy Trinity, 19th &amp;amp; Rittenhouse Square, Philadelphia&lt;br /&gt;From the intricate and beautiful melodies of Bach’s Jesu Meine Freude to the powerful emotions of Alberto Ginastera’s Lamentations of Jeremiah, the 2009-2010 Season opens with a quintessential Philadelphia Singers concert.&lt;br /&gt;Tickets: (215) 751-9494&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;HANDEL’S MESSIAH&lt;br /&gt;Sunday December 13, 2009, 2:00  PM&lt;br /&gt;The Philadelphia Orchestra&lt;br /&gt;Philadelphia Singers Chamber Ensemble&lt;br /&gt;Verizon Hall&lt;/span&gt;&lt;br /&gt;It’s the Messiah.  ‘Nuff said.&lt;br /&gt;Tickets: (215) 893-1900‎&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;CHRISTMAS ON LOGAN SQUARE&lt;br /&gt;Philadelphia Singers Chamber Ensemble&lt;br /&gt;Saturday, December 12, 2009 at 5:00pm&lt;br /&gt;Saturday, December 19, 2009 at 5:00pm&lt;br /&gt;St. Clement’s Church, 20th and Cherry Streets Philadelphia&lt;/span&gt;&lt;br /&gt;This Philadelphia holiday tradition begins with a beautiful candlelight procession, features Jennifer Higdon’s ethereal O Magnum Mysterium and Resphighi’s exquisite Lauda per la Nativita del Signore, plus traditional favorites, and concludes with a rousing audience carol sing.&lt;br /&gt;Tickets:(215) 751-9494&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;SHEHERAZADE&lt;br /&gt;Thursday, February 4, 2010 8:00 PM&lt;br /&gt;Friday, February 5, 2010 8:00 PM&lt;br /&gt;Saturday, February 6, 2010 8:00 PM&lt;br /&gt;The Philadelphia Orchestra&lt;br /&gt;Verizon Hall&lt;br /&gt;Rafael Frühbeck de Burgos – Conductor&lt;br /&gt;The Philadelphia Singers Chorale - Women's chorus&lt;br /&gt;MENDELSSOHN - Incidental Music to A Midsummer Night's Dream&lt;br /&gt;RIMSKY-KORSAKOV – Sheherazade&lt;/span&gt;&lt;br /&gt;The young Mendelssohn was a polymath who painted, argued philosophy, and devoured the works of Shakespeare and other literary giants. So it was natural that he should take on the task of creating incidental music for the Bard's peerlessly silly comedy A Midsummer Night's Dream: The result was some of the most scintillating music of his career. In his second set of subscription concerts of the season, Maestro Frühbeck de Burgos presents Mendelssohn's entire Incidental Music, complete with soloists and women's chorus, and balances the program with Rimsky-Korsakov's Sheherazade, a dazzlingly orchestrated rendering of tales from A Thousand and One Nights.&lt;br /&gt;Tickets: (215) 893-1900‎&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;GLASS, REICH, BRYARS&lt;br /&gt;Philadelphia  Singers Chamber Ensemble with Relâche and Orchestra 2001&lt;br /&gt;Saturday,  March 6, 2010 at 8:00pm&lt;br /&gt;Annenberg Center for the Performing Arts,  3680 Walnut St. Philadelphia&lt;/span&gt;&lt;br /&gt;Join The Philadelphia Singers  and new music ensembles Relâche and Orchestra 2001 for the world  premiere of Persephone by Phillip Glass, whose music and impact reaches  from the concert hall and opera house, to the dance world, Academy Award  winning films, and popular music. The program also features the  Philadelphia premiere of Steve Reich’s You Are (Variations). Reich is  the winner of the 2009 Pulitzer Prize in music. The concert concludes  with the Philadelphia premiere of two laude for female chorus from  British composer Gavin Bryars’ Cycle Lauda Cortonese. This truly  eventful concert experience featuring works by three giants of  contemporary music is not to be missed!&lt;br /&gt;Tickets:(215) 751-9494&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;LA TRAVIATA&lt;br /&gt;by Giuseppe Verdi&lt;br /&gt;Opera Company of Philadelphia&lt;br /&gt;Academy of Music&lt;br /&gt;Friday, May 7, 2010 at 8:00 p.m.&lt;br /&gt;Sunday, May 9, 2010 at 2:30 p.m.&lt;br /&gt;Wednesday, May 12, 2010 at 7:30 p.m.&lt;br /&gt;Friday, May 14, 2010 at 8:00 p.m.&lt;br /&gt;Sunday, May 16, 2010 at 2:30 p.m.&lt;br /&gt;Sung in Italian with English translations&lt;/span&gt;&lt;br /&gt;Champagne toasts, sweetly-fragranced camellias and lush soirees fill the glittering salon of famed courtesan Violetta Valéry, the belle of Parisian nightlife. Enter Alfredo, a handsome young nobleman who looks at her one evening with the unmistakable and unapologetic bloom of love. Nothing will ever be the same as their romance deepens before the eyes of his disapproving father, testing their hearts, their character and the bonds of true love.&lt;br /&gt;Verdi's ultra-romantic masterpiece is a visual and musical tour de force featuring rapturous arias and swelling choral works, set against the richly costumed elegance of the Opera Company's original, period production.&lt;br /&gt;Tickets: 215-732-8400&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;ORPHÉE &amp;amp; EURYDICE&lt;/span&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;By Christoph Willibald Gluck&lt;/span&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Opera Company of Philadelphia&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: bold;"&gt;Perelman Theater&lt;/span&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Thursday, June 17, 2010 at 7:30 p.m.&lt;br /&gt;Saturday,&lt;/span&gt;&lt;span style="font-weight: bold;"&gt;June 19&lt;/span&gt;&lt;span style="font-weight: bold;"&gt; , 2010 at 2:30 p.m.&lt;br /&gt;Tuesday, June 22, 2010 at 7:30 p.m.&lt;br /&gt;Wednesday, June 23, 2010 at 7:30 p.m.&lt;br /&gt;Friday, June 25, 2010 at 8:00 p.m.&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: bold;"&gt;&lt;/span&gt;&lt;span style="font-weight: bold;"&gt;Sung in French with English translations&lt;/span&gt;&lt;br /&gt;Their love is so true and complete that not even death can come between Orphée and Eurydice in this hauntingly beautiful, mythical tale of the supernatural.  When Eurydice leaves the living, Orphée is given the chance to bring her back from the Underworld with one condition – he must promise not to look at his beloved until they return to Earth.  But will her faith be strong enough to follow him – even when she fears his love is lost?&lt;br /&gt;With stirring melodies of love, longing and redemption, this production marks the Opera Company Premiere of this classic work in the ideally-suited, intimate venue of the Kimmel Center’s Perelman Theater.&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2041053400024463137-5742811740682198340?l=apatheticalto.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://apatheticalto.blogspot.com/feeds/5742811740682198340/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://apatheticalto.blogspot.com/2009/09/schedule-of-performances-featuring_21.html#comment-form' title='2 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2041053400024463137/posts/default/5742811740682198340'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2041053400024463137/posts/default/5742811740682198340'/><link rel='alternate' type='text/html' href='http://apatheticalto.blogspot.com/2009/09/schedule-of-performances-featuring_21.html' title=''/><author><name>ApatheticAlto</name><uri>http://www.blogger.com/profile/15117771252451992436</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>2</thr:total></entry></feed>
